Francesc Gasch
Founder & Editor, Mainifesto
Founder and Editor of Mainifesto. Barcelona-based designer writing about architecture, design, technology and culture, with responsibility for the publication’s editorial direction and standards.
Founder & Editor, Mainifesto
Founder and Editor of Mainifesto. Barcelona-based designer writing about architecture, design, technology and culture, with responsibility for the publication’s editorial direction and standards.
info@francescgaschstudio.com
Founder and Editor of Mainifesto. Barcelona-based designer writing about architecture, design, technology and culture, with responsibility for the publication’s editorial direction and standards.
Denmark’s coastal expansion for the Fehmarnbelt Tunnel promises stronger European connections. But can reclaimed land justify its marine and material costs?
Annie Meyers-Shyer’s renovation sourcing challenges design gatekeeping. But does a fully shoppable home teach us to design—or simply to buy?
Arquitectonica’s Miami cruise terminal can process 36,000 passengers daily. Where does sustainable design end—and responsibility for cruise travel begin?
ZHA’s proposed digital planning hub for Benghazi promises adaptability. Can residents gain responsive planning without surrendering control of their city?
Assemble plans to turn Tudor Bromley Hall into workspace. Can a 25-year lease defend makers against rising rents while protecting fragile heritage?
LTL Architects’ 16-unit straw prototype challenges construction’s demand for predictable materials, standardized performance and unlimited formal freedom.
Grimshaw’s Allegiant Stadium plaza promises more pedestrian space. Does its Boring Company station loosen car dependence—or bury it out of sight?
Digital Ajanta opens heritage to new audiences. But who controls its reconstruction, approves changes and profits when a monument becomes a platform?
Bruna studio’s German house conversion challenges housing scarcity: can subdivision create homes without sacrificing privacy or hiding renovation costs?
Studio Saar’s Pangolin Shield at London Design Festival asks whether shelter can confront colonial power—or simply make it more photogenic.
