Sophie Ebrard frames bullfighting as evidence and complicity, forcing photography to confront ritual, violence, and moral spectatorship.

Dataland’s Los Angeles opening forces museums to decide if AI art is authorship, craft, or just tech validation.

Belfast Photo Festival turns manual cameras into a debate on heritage, destruction, and creative use.

The Quentin Blake Centre tests whether illustration can claim a civic future, or be flattened by generative image tools.

LA28’s evolving identity shows why Olympic branding must stay recognizable while mutating across screens, city streets and feeds.

Studio closures and indie exits signal a design shift: prestige is moving from empires to agile, authorship-driven practices.

If arts participation slows aging, culture may be infrastructure, not luxury. Can cities justify it through health policy?

The Bowie exhibition shows why immersive displays work best when they build atmosphere, narrative and memory—not just digital spectacle.